Olav Velthuis is Professor at the Department of Sociology of the University of Amsterdam, specializing in economic sociology, sociology of the arts and cultural sociology. He currently serves as Head of the department. His research interests include the globalization of art markets, the interrelations between market and gift exchange, private art museums, the valuation and pricing of contemporary art, and the moral and socio-technological dimensions of markets for adult content. In a cross-comparative fashion, he has studied the emergence and development of art markets in the BRIC-countries (Brazil, Russia, India and China). The project was financed by a VIDI-grant from the Dutch Science Foundation (NWO). Before moving to the Universiity of Amsterdam, Velthuis worked for several years as a Staff Reporter Globalization for the Dutch daily de Volkskrant. Also, he worked as an Assistant Professor at the University of Konstanz and as a Post-Doc researcher at Columbia University.
Velthuis is the author of Talking Prices. Symbolic Meanings of Prices on the Market for Contemporary Art (Princeton University Press, 2005), which received the Viviana Zelizer Distinguished Book Award of the American Sociological Association for the best book in economic sociology (2006). The American magazine Newsweek referred to it as "the best study of what art spending means". He is also the author of Imaginary Economics (NAi Publishers, 2005), which was translated into Dutch and Italian. Together with Maria Lind of Tensta Konsthall (Stockholm), he edited the book Contemporary Art and Its Commercial Markets A Report on Current Conditions and Future Scenarios (Sternberg Press, 2012) and with Stefano Baia Curioni the book Cosmopolitan Canvases. The Globalization of Markets for Contemporary Art (Oxford University Press, 2015).
Apart from art markets, Velthuis has among others studied the market for literary fiction, cultural consumption and lifestyle, financial markets, and journalism. His academic work has appeared in leading journals in social science including Theory & Society, Socio-Economic Review, Economy & Society, Journal of Consumer Culture, Journalism, and the Journal of Cultural Economics. His journalistic writings have appeared in among others The New York Times, Artforum, the Art Newspaper and the Financial Times. His work has been cited in international media including Newsweek, Die Zeit, Corriere della Sera, The Independent, Il Sole 24 Ore, the FreakonomicsBlog of the New York Times, and the Frankfurter Allgemeine Zeitung.
Velthuis has given keynote lectures and workshops at a variety of national and international cultural institutions including Tate Modern (London), Stedelijk Museum (Amsterdam), Toneelgroep Amsterdam, the International Committee for Museums and Collections of Modern Art (CIMAM), Tensta Konsthall (Stockholm), Art Basel, Rijksacademie (Amsterdam), Witte de With (Rotterdam), Christie's (London) and De Appel (Amsterdam).
He is president of The International Art Market Studies Association (www.artmarketstudies.org) and used to be board member of the Netherlands Foundation for Visual Arts, Design and Architecture (Fonds BKVB), which was the main government-sponsored foundation for visual artists in the Netherlands.
 Stegeman, H. M., Velthuis, O., Jokubauskaitė, E., & Poell, T. (2025). Hypercategorization and hypersexualization: How webcam platforms organize performers and performances. Sexualities, 28(1-2), 118-136. https://doi.org/10.1177/13634607231170174 [details]
Stegeman, H. M., Velthuis, O., Jokubauskaitė, E., & Poell, T. (2025). Hypercategorization and hypersexualization: How webcam platforms organize performers and performances. Sexualities, 28(1-2), 118-136. https://doi.org/10.1177/13634607231170174 [details] Velthuis, O., & Gera, M. (2025). The fragility of cultural philanthropy: why private art museums close. International Journal of Cultural Policy, 31(6), 805-818. https://doi.org/10.1080/10286632.2024.2365281 [details]
Velthuis, O., & Gera, M. (2025). The fragility of cultural philanthropy: why private art museums close. International Journal of Cultural Policy, 31(6), 805-818. https://doi.org/10.1080/10286632.2024.2365281 [details] Velthuis, O. (2024). Privémusea in de 21ste eeuw: genereuze filantropie of nieuwe bron van ongelijkheid? Boekman, 36(138), 48-51. [details]
Velthuis, O. (2024). Privémusea in de 21ste eeuw: genereuze filantropie of nieuwe bron van ongelijkheid? Boekman, 36(138), 48-51. [details] Velthuis, O. (2024). [Review of: C.E. Benzecry (2022) The Perfect Fit: Creative Work in the Global Shoe Industry]. American Journal of Sociology, 129(6), 1800-1802. https://doi.org/10.1086/729980 [details]
Velthuis, O. (2024). [Review of: C.E. Benzecry (2022) The Perfect Fit: Creative Work in the Global Shoe Industry]. American Journal of Sociology, 129(6), 1800-1802. https://doi.org/10.1086/729980 [details] Kolbe, K. J., Velthuis, O., Aengenheyster, J., Friedmann Rozenbaum, A., & Zhang, M. (2022). The global rise of private art museums a literature review. Poetics, 95, Article 101712. https://doi.org/10.1016/j.poetic.2022.101712 [details]
Kolbe, K. J., Velthuis, O., Aengenheyster, J., Friedmann Rozenbaum, A., & Zhang, M. (2022). The global rise of private art museums a literature review. Poetics, 95, Article 101712. https://doi.org/10.1016/j.poetic.2022.101712 [details] Kim, B., & Velthuis, O. (2021). From reactivity to reputation management: online consumer review systems in the restaurant industry. Journal of Cultural Economy, 14(6), 675-693. https://doi.org/10.1080/17530350.2021.1895280 [details]
Kim, B., & Velthuis, O. (2021). From reactivity to reputation management: online consumer review systems in the restaurant industry. Journal of Cultural Economy, 14(6), 675-693. https://doi.org/10.1080/17530350.2021.1895280 [details] Velthuis, O. (2021). Market Device. In J. R. Bowen, N. Dodier, J. W. Duyvendak, & A. Hardon (Eds.), Pragmatic Inquiry: Critical Concepts for Social Sciences (pp. 80-93). Routledge. https://doi.org/10.4324/9781003034124-8 [details]
Velthuis, O. (2021). Market Device. In J. R. Bowen, N. Dodier, J. W. Duyvendak, & A. Hardon (Eds.), Pragmatic Inquiry: Critical Concepts for Social Sciences (pp. 80-93). Routledge. https://doi.org/10.4324/9781003034124-8 [details] Velthuis, O. (2019). Geven om geld: Waarom de marktsamenleving giftrelaties nodig heeft. Sociologie, 15(1), 69-86. https://doi.org/10.5117/SOC2019.1.004.VELT [details]
Velthuis, O. (2019). Geven om geld: Waarom de marktsamenleving giftrelaties nodig heeft. Sociologie, 15(1), 69-86. https://doi.org/10.5117/SOC2019.1.004.VELT [details] Brandellero, A., & Velthuis, O. (2018). Reviewing art from the periphery. A comparative analysis of reviews of Brazilian art exhibition in the press. Poetics, 71, 55-70. https://doi.org/10.1016/j.poetic.2018.10.006 [details]
Brandellero, A., & Velthuis, O. (2018). Reviewing art from the periphery. A comparative analysis of reviews of Brazilian art exhibition in the press. Poetics, 71, 55-70. https://doi.org/10.1016/j.poetic.2018.10.006 [details] Kharchenkova, S., & Velthuis, O. (2018). How to become a judgment device: valuation practices and the role of auctions in the emerging Chinese art market. Socio-Economic Review, 16(3), 459–477. https://doi.org/10.1093/ser/mwx057 [details]
Kharchenkova, S., & Velthuis, O. (2018). How to become a judgment device: valuation practices and the role of auctions in the emerging Chinese art market. Socio-Economic Review, 16(3), 459–477. https://doi.org/10.1093/ser/mwx057 [details] Komarova, N., & Velthuis, O. (2018). Local contexts as activation mechanisms of market development: contemporary art in emerging markets. Consumption Markets & Culture, 21(1), 1-21. https://doi.org/10.1080/10253866.2017.1284065 [details]
Komarova, N., & Velthuis, O. (2018). Local contexts as activation mechanisms of market development: contemporary art in emerging markets. Consumption Markets & Culture, 21(1), 1-21. https://doi.org/10.1080/10253866.2017.1284065 [details] van Doorn, N., & Velthuis, O. (2018). A Good Hustle: The Moral Economy of Market Competition in Adult Webcam Modeling. Journal of Cultural Economy, 11(3), 177-192. https://doi.org/10.1080/17530350.2018.1446183 [details]
van Doorn, N., & Velthuis, O. (2018). A Good Hustle: The Moral Economy of Market Competition in Adult Webcam Modeling. Journal of Cultural Economy, 11(3), 177-192. https://doi.org/10.1080/17530350.2018.1446183 [details] Franssen, T., & Velthuis, O. (2016). Making Materiality Matter: A sociological analysis of price formation on the Dutch fiction book market, 1980-2009. Socio-Economic Review, 14(2), 363-381. https://doi.org/10.1093/ser/mwu025 [details]
Franssen, T., & Velthuis, O. (2016). Making Materiality Matter: A sociological analysis of price formation on the Dutch fiction book market, 1980-2009. Socio-Economic Review, 14(2), 363-381. https://doi.org/10.1093/ser/mwu025 [details] Velthuis, O. (2016). The production of a newspaper interview: Following the story at the business desk of a Dutch daily. Journalism, 17(7), 899-914. https://doi.org/10.1177/1464884915583771 [details]
Velthuis, O. (2016). The production of a newspaper interview: Following the story at the business desk of a Dutch daily. Journalism, 17(7), 899-914. https://doi.org/10.1177/1464884915583771 [details] Velthuis, O. (2015). Making Monetary Markets Transparent: The European Central Bank’s communication policy and its interactions with the media. Economy and Society, 44(2), 316-340. https://doi.org/10.1080/03085147.2015.1013355 [details]
Velthuis, O. (2015). Making Monetary Markets Transparent: The European Central Bank’s communication policy and its interactions with the media. Economy and Society, 44(2), 316-340. https://doi.org/10.1080/03085147.2015.1013355 [details] Velthuis, O. (2014). The impact of globalization on the contemporary art market: The traditional gallery model at risk. In A. M. Dempster (Ed.), Risk and uncertaincy in the art world (pp. 87-108). Bloomsbury. https://www.academia.edu/8004652/The_impact_of_globalisation_on_the_contemporary_art_market_in_A._Dempster_ed_Risk_and_uncertainty_in_the_art_world_London_Bloomsbury_2013_ [details]
Velthuis, O. (2014). The impact of globalization on the contemporary art market: The traditional gallery model at risk. In A. M. Dempster (Ed.), Risk and uncertaincy in the art world (pp. 87-108). Bloomsbury. https://www.academia.edu/8004652/The_impact_of_globalisation_on_the_contemporary_art_market_in_A._Dempster_ed_Risk_and_uncertainty_in_the_art_world_London_Bloomsbury_2013_ [details] Elshout, J., & Velthuis, O. (2013). De protestantse ethiek van fitness: een kwalitatief onderzoek naar de motivatie van hoogopgeleide fitnessbeoefenaars in Amsterdam. Sociologie, 9(2), 111-128. https://doi.org/10.5117/SOC2013.2.ELSH [details]
Elshout, J., & Velthuis, O. (2013). De protestantse ethiek van fitness: een kwalitatief onderzoek naar de motivatie van hoogopgeleide fitnessbeoefenaars in Amsterdam. Sociologie, 9(2), 111-128. https://doi.org/10.5117/SOC2013.2.ELSH [details] Velthuis, O., Kolbe, K., Aengenheyster, J., Friedmann Rozenbaum, A., Gera, M., & Zhang, M. (2023). Beyond the Global Boom: Private Art Museums in the 21st Century. Private Museum Research. https://privatemuseumresearch.org/report/ [details]
Velthuis, O., Kolbe, K., Aengenheyster, J., Friedmann Rozenbaum, A., Gera, M., & Zhang, M. (2023). Beyond the Global Boom: Private Art Museums in the 21st Century. Private Museum Research. https://privatemuseumresearch.org/report/ [details] Kharchenkova, S., Komarova, N., & Velthuis, O. (2015). Official art organizations in the emerging art markets of China and Russia. In O. Velthuis, & S. Baia Curioni (Eds.), Cosmopolitan canvases: the globalization of markets for contemporary art (pp. 78-101). Oxford University Press. https://doi.org/10.1093/acprof:oso/9780198717744.003.0004 [details]
Kharchenkova, S., Komarova, N., & Velthuis, O. (2015). Official art organizations in the emerging art markets of China and Russia. In O. Velthuis, & S. Baia Curioni (Eds.), Cosmopolitan canvases: the globalization of markets for contemporary art (pp. 78-101). Oxford University Press. https://doi.org/10.1093/acprof:oso/9780198717744.003.0004 [details] Velthuis, O. (2014). ArtRank and the Flippers: Apocalypse now? Texte zur Kunst, 24(96), 34-49. https://www.textezurkunst.de/96/olav-velthuis-artrank-and-the-flippers/ [details]
Velthuis, O. (2014). ArtRank and the Flippers: Apocalypse now? Texte zur Kunst, 24(96), 34-49. https://www.textezurkunst.de/96/olav-velthuis-artrank-and-the-flippers/ [details] Velthuis, O., & Kharchenkova, S. (2014). Kleine of Grote Hans? Over Dai Hanzhi: 5000 artists in Witte de With, Rotterdam. De Witte Raaf, 29(172), 13. http://www.dewitteraaf.be/artikel/detail/nl/4051 [details]
Velthuis, O., & Kharchenkova, S. (2014). Kleine of Grote Hans? Over Dai Hanzhi: 5000 artists in Witte de With, Rotterdam. De Witte Raaf, 29(172), 13. http://www.dewitteraaf.be/artikel/detail/nl/4051 [details] Velthuis, O., Duyvendak, J. W., & Gërxhani, K. (2013). Inleiding: sociale kaart van Nederland. In J. W. Duyvendak, C. Bouw, K. Gërxhani, & O. Velthuis (Eds.), Sociale kaart van Nederland: over instituties en organisaties. - 2e geheel herz. dr. (pp. 11-35). Boom Lemma uitgevers. [details]
Velthuis, O., Duyvendak, J. W., & Gërxhani, K. (2013). Inleiding: sociale kaart van Nederland. In J. W. Duyvendak, C. Bouw, K. Gërxhani, & O. Velthuis (Eds.), Sociale kaart van Nederland: over instituties en organisaties. - 2e geheel herz. dr. (pp. 11-35). Boom Lemma uitgevers. [details] Velthuis, O. (2012). Introduction: the contemporary art market between stasis and flux. In M. Lind, & O. Velthuis (Eds.), Contemporary art and its commercial markets: a report on current conditions and future scenarios (pp. 17-50). Sternberg Press. [details]
Velthuis, O. (2012). Introduction: the contemporary art market between stasis and flux. In M. Lind, & O. Velthuis (Eds.), Contemporary art and its commercial markets: a report on current conditions and future scenarios (pp. 17-50). Sternberg Press. [details] Velthuis, O. (2019). Geven om geld: Waarom de marktsamenleving giftrelaties nodig heeft. (Oratiereeks; No. 603). Universiteit van Amsterdam. https://doi.org/10.5117/SOC2019.1.004.VELT [details]
Velthuis, O. (2019). Geven om geld: Waarom de marktsamenleving giftrelaties nodig heeft. (Oratiereeks; No. 603). Universiteit van Amsterdam. https://doi.org/10.5117/SOC2019.1.004.VELT [details] Velthuis, O. (2016). The Brazilian Art World is Here to Stay, Economic Crisis or Not. Web publication or website, Colección Cisneros. http://www.coleccioncisneros.org/editorial/debate/contribution/brazilian-art-world-here-stay-economic-crisis-or-not [details]
Velthuis, O. (2016). The Brazilian Art World is Here to Stay, Economic Crisis or Not. Web publication or website, Colección Cisneros. http://www.coleccioncisneros.org/editorial/debate/contribution/brazilian-art-world-here-stay-economic-crisis-or-not [details] Velthuis, O. (2011). The Venice effect. The Art Newspaper (International Edition), 20(225), 21-24. [details]
Velthuis, O. (2011). The Venice effect. The Art Newspaper (International Edition), 20(225), 21-24. [details] Velthuis, O. (2011). Vermogensverhoudingen in Nederland na de kredietcrisis. In C. Brinkgreve, M. van den Haak, B. van Heerikhuizen, J. Heilbron, & G. Kuipers (Eds.), Cultuur en ongelijkheid (pp. 6-21). AMB. [details]
Velthuis, O. (2011). Vermogensverhoudingen in Nederland na de kredietcrisis. In C. Brinkgreve, M. van den Haak, B. van Heerikhuizen, J. Heilbron, & G. Kuipers (Eds.), Cultuur en ongelijkheid (pp. 6-21). AMB. [details] Velthuis, O. (2008). Amerikaanse toestanden: de particuliere greep op het museum. Metropolis M, tijdschrift over hedendaagse kunst, 29(3), 70-73. http://metropolism.com/magazine/2008-no3/amerikaanse-toestanden/ [details]
Velthuis, O. (2008). Amerikaanse toestanden: de particuliere greep op het museum. Metropolis M, tijdschrift over hedendaagse kunst, 29(3), 70-73. http://metropolism.com/magazine/2008-no3/amerikaanse-toestanden/ [details] Velthuis, O. (2008). [Review of: M. Hutter, D. Throsby (2008) Beyond price: value in culture, economics, and the arts]. Journal of Cultural Economics, 32(4), 321-324. https://doi.org/10.1007/s10824-008-9076-9 [details]
Velthuis, O. (2008). [Review of: M. Hutter, D. Throsby (2008) Beyond price: value in culture, economics, and the arts]. Journal of Cultural Economics, 32(4), 321-324. https://doi.org/10.1007/s10824-008-9076-9 [details] Velthuis, O. (2012). The museum and the market. In M. Rosler, & S. Resnick (Eds.), The meta/monumental garage sale standard. - Issue 2 (pp. 11-12). Museum of Modern Art. http://www.moma.org/interactives/exhibitions/2012/garagesale/garagesale2.pdf [details]
Velthuis, O. (2012). The museum and the market. In M. Rosler, & S. Resnick (Eds.), The meta/monumental garage sale standard. - Issue 2 (pp. 11-12). Museum of Modern Art. http://www.moma.org/interactives/exhibitions/2012/garagesale/garagesale2.pdf [details]